Winner of the Grand Prix at Cannes and also an Oscar in the foreign language. Yet on its release in Italy, it practically disappeared overnight and was a box-office flop. The music video for “Never Caught In Amber” is deeply inspired by Plastic Ivy’s energy and explores duality and transition through a series of still shots, mirror reflections, and live performances. Written by Wan Tyszkiewicz This is one of the most successful foreign-language films ever made. The album is produced by Dan Shields of Speaking Parts, who will be touring with Plastic Ivy starting this week, kicking off with an appearance at Brooklyn’s Nothing Changes party at St. The remaining tracks on The Glass Horizon feel equally at home for fans of the genre, but succeed in showcasing Landes’ multiple talents and command of a plethora of analog instruments. ![]() The track is a fast and furious minimal synth workout, with a blisteringly fast BPM, deep bass arpeggiators firing on all cylinders, and high, playful synth leads driving the track alongside Landes’ vocal melodies. She also continues to work in the field on accounts for production companies and wider clients in a creative capacity. 23 In his discussion of 3Ds immersive aesthetics and the strategies used by. For the past 3 years she has freelanced as a consultant offering training and strategy development for both producers and small businesses looking to grow their social reach and use social channels as a resource for contacts and ideas. In tandem with the release, we’re honored to premiere the video for “Never Caught In Amber,” directed by Xeno & Oaklander’s Liz Wendelbo. (2005), remix and recycle found footage from narrative cinema, using. The album has been issued on cassette via Noir Age Publishing. ![]() Plastic Ivy, aka the alias of Philadelphia-based artist and multi-instrumentalist Lira Marie Landes, has just released The Glass Horizon, a collection of six icy, minimal tracks.
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